I MAKE
CHARACTERS move

EVERY CHARACTER
STARTS AS clay

I sculpt the shape first, then clean the mesh, paint the textures and build the rig. By the time it gets to the engine it still looks right when the camera moves close.

MOVEMENT IS
THE acting

A character only feels real when the weight reads. A heavy step should land heavy. A fast turn should snap. I animate for that, then cut the film so the point lands in the first few seconds.

A CHARACTER NEEDS
SOMEWHERE to stand

So I build the world too — props, sets and lighting that run in real time. You should understand the place before anyone says a word.

THE REEL

THE WORK

A 3D SPECIALIST
WORKING FROM LAGOS

I have spent six years turning ideas into finished animation — for brands, musicians, agencies and independent storytellers.

I have worked with Pekelab, Kafu Artist, Ellipsis and other studios. Every job starts with what it needs to do, and I stay on it from the first sketch to the last frame.

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